words & images, sometimes both
Festivals & Exhibitions
2023
Festival de Cannes, Quinzaine des cinéastes, Official Selection (World Premiere), Cannes, FR — May 24
The Red Sea Makes Me Wanna Cry (2023) - Co-written with Faris Alrjoob
Selected press: “An island of heartbreak: Faris Alrjoob talks about his Cannes short 'The Red Sea Makes Me Wanna Cry'“
World Cinema Carnival, Official Selection
From a Spaceless Within (2021)
2022
Hot Docs Festival, Official Selection (World Premiere), Toronto, ON — May 1
From a Spaceless Within (2021)
Press: Hot Docs What’s On
GAZE International LGBTQ+ Film Festival, Official Selection, Dublin, IE — October 2
From a Spaceless Within (2021)
Festival des Cinémas Différents et Expérimentaux, Official Selection, Paris, FR - October 15
From a Spaceless Within (2021)
2021
ART NOW AMERICA: National Juried Art Exhibition, Slocumb Galleries, Johnson City, TN — March 2 - April 9
Canicular (2019), Digital Video
Telephlâneur (2019), Digital Video — *WINNER* - BEST IN SHOW
some assembly required, Juried Group Exhibition, Distillery Gallery, Boston, MA — June 7 - July 23
Telephlâneur (2019), Digital Video
Selected press: “SOME ASSEMBLY REQUIRED: BLAA MOUNTS FIRST EXHIBIT SINCE BEFORE THE PANDEMIC,” “Distillery Gallery's 'Some Assembly Required' Showcases Boston’s Intergenerational Queer Arts Scene,” “‘Some Assembly Required’: well worth assembling,” “Boston Exhibition ‘Some Assembly Required’ Spotlights Local Queer Artists”
TBD, Group Exhibition, Boston Cyberarts Gallery, Boston, MA — September 10 - October 17
Telephlâneur (2019), Digital Video
2020
Digital Dreams, Emerson Contemporary Gallery, Boston, MA — November 11 - December 11
Canicular (2019), Digital Video
2019
Emerson International Art Exhibit, Bill Bordy Theater, Boston MA — April 1
The Hope Experiment (2019), Digital Video
Reflect, Resist, Replay, Huret & Spector Gallery, Boston, MA — April 24 - 26
Grow (2019), Live Performance
Publications
2023
Cult Magazine, Issue #1 — January
“ANTIPODES”
2022
Found Footage Magazine, Issue #8 — October
“Re-Enacting the Archives in Sam Ashby’s The Colour of His Hair”